Watch Free Online movies, Online streaming Movies, Live Tv Channels, Telugu Movies , Hindi Movies, news channels, free Bollywood movies, free Hindi movies, watch Telugu movies, online Television Channels
Cast:
Soha Ali Khan, Neil Nitin Mukesh,
Karan Nath, Shahana Goswami Director: Sudhir Mishra
Story of Johnny wanting to get rich and move to Dubai. For that he helps Parvez to rob Chiple of his ill-gotten money. Parvez also has a relationship Chiple's wife, the trans-gender madam has his love interest, the drug dealer. All these characters along with the model/ actress Preeti being the interest of the owner of a TV network have some semblance I Johnny's life and he wishes one of them will help
Perhaps to avoid controversy with powerful religious right lobbyists, the superhero character Thor in this new comic book adaptation is no longer an actual Norse god. Instead, he is one of the powerful beings from the mystical realm Asgard, whose presence on Earth in ancient times has seen them labelled by us humans as gods. So a bit like Superman, Thor is god-like without literally being a god. Unlike Superman, he is arrogant, bad tempered and impatient. During the film’s lengthy prologue in Asgard, Thor’s headstrong attitude results in him getting banished to Earth. Thor explores many fundamental archetypal stories from various strands of classical mythology involving banished sons, sibling rivalries and the hero’s journey from disgrace to redemption.
What's it about: The Three Stooges meet Bheja Fry in this wannabe indie comedy. There are several red flags that come up in the first 20 minutes of the film warning you of what's to follow. First -- a very bad voiceover introducing characters made to rhyme -- Chixcy, Fancy and Happy. Then there's a dead animal joke that's totally unnecessary. To add to the woes, an erratic screenplay that doesn't go anywhere and is as stuck as the central characters in the film. It's almost an embarrassing journey to see actors like Om Puri and Dobriyal paralysed by a ridiculous plot and some juvenile dialogues. The story is simple --three brothers are forced to spend time
Welcome and Singh is Kinng were two big blockbusters for Akshay Kumar & Anees Bazmee, but their recent outings Patiala House and No Problem respectively did not set the box office ablaze. Now, these two are back together with Thank You, which also stars Bobby Deol, Sonam Kapoor, Suniel Shetty, Irrfan Khan, Rimi Sen and Celina Jaitley. Will Thank You bring back the lost glory for Akshay, will the YPD star Bobby have a rub of goodluck on Akki, will Anees Bazmee's Problems end and he will be back in form with Thank you. Well, lets find out.
Been there, done that? Yes, the first thing that strikes you about Tanu Weds Manu is a striking sense of familiarity. It wasn’t long before you saw Shahid Kapoor playing a similar sacrificial lover to Kareena Kapoor in Jab We Met. And like poor Kareena, who tries too sort out her confused emotions against the backdrop of the big fat Punjabi wedding, Tanu too must decide who is better husband material, first amidst the hustle bustle of her best friend’s boisterous going-balle-balle baraat and then at her chaotic Kanpuria community haveli.
But the deja vu doesn’t last long. For despite the predictable — and paper thin — storyline, the film manages to hook you with its sheer atmospherics. The director creates an extremely busy and colourful canvas brimming with characters who are anything but cardboard cut-outs. If Madhavan fleshes out a heart-tugging, oh-so-lonely and acutely desi NRI, winning you over with his shy smiles and well-mannered chutzpah, then Kangna Ranaut’s wild cat rebel is endearing too. The Friends Inc also pitches in an inspired act with the groom’s best buddies Deepak Dobriyal and Eijaz Khan adding fun and games to the raucous proceedings. On the bride’s side, it is the spunky Payal (Swara Bhaskar) who infuses verve, even while emerging as Kangna’s counsel and guide. As for Jimmy Sheirgill, must we reiterate: Give him a role, guys; he’s good! In fact, the highpoint of Tanu weds Manu is not so much the confused romance between Madhavan and Kangana. Instead, it is the `bromance’ (dosti-dushmani) between Madhavan and Jimmy that grabs eyeballs with its volcanic undercurrents, which alas, are too few and far between.
And then come the sundry cityscapes…. Tanu Weds Manu lives more through its psychedelic backdrop than its drama. The film maker along with his cinematographer (Chirantan Das) and music director (Krsna) captures mofussil India with all its bustling beauty. Kanpur, with its overriding chaos and its criss-cross alleys almost begins to breathe on screen, even as the great Indian family emerges as one helluva character in one more desi paean to the joint parivaar.
Fun while it lasts, Tanu Weds Manu throws up Bollywood’s newest obsession — small town girls and their gunas (values) — once again. A meatier storyline and a less messed up climax would have worked wonders for the film.
Starring:
R. Madhavan
Kangna Ranaut
Jimmy Shergill
Ravi Kishan
Ejaaz Khan
Rajendra Gupta
K. K. Raina
Deepak Dobriyal
Swara Bhaskar
Director :
Anand Rai
Starring:
Seth Rogen
Jay Chou
Cameron Diaz
Tom Wilkinson
Christoph Waltz
David Harbour
Edward James Olmos
Jamie Harris
Chad Coleman
Director:
Michel Gondry
Finally, women get their coming of age film. After 'Dil Chahta Hai', there has been a spate of coming of age films for men, but very few which dealt with women and their issues authentically. In fact, there has been practically none. So debutante director Alankrita Shrivastava's 'Turning 30' is like a small turning point in Hindi cinema. It is great that Hindi films finally acknowledge that 30 year old women are just as down the hill as 30 year old men! This movie is not a 'Bridget Jones Diary' but some of the concerns shared are universal to urban women around the world. Obviously, with this unholy obsession with youth and with each and every one of us being reduced to commodities, the pressures of turning 30 and still remaining single are something which most women can identify with at some level or the other. Of course, we are talking of urban women and we are assuming that they have the right of choice unlike their rural counterparts, for whom life stills fall into the conventional slots. So yes, Alankrita's 'Turning 30' is a much awaited film and to its credit has been mostly written very smartly with a humourous streak running right through. The film's protagonist, Naina (Gul Panang) touches crisis point in her life as she rings in her 30th birthday. Life should have been rocking, instead, her boyfriend (Sid Makkar) walks out on her, her boss makes life hell for her at work and her mother is after her about settling down. And to top it, this is the Big 30, and her biological clock is fast ticking. With personal and professional crisis staring her in the face, Naina does the next best thing, she escapes from it by doing all the girlie things like getting a new haircut, new clothes, lingerie, getting back with her ex (Purab Kohli), etc. Like every other human being on Planet Earth, she choses to evade the issue and remains unhappy, till she finally decides to work on herself and in the process discovers herself.. Naina's journey is something which many urban women may be able to identify with, her anxieties and fears are something that many must have faced at some time or the other. And that is the great thing about Alankrita's script. The story is something that one can relate with. In fact, the first half of the movie is fairly crackling with energy. But somehow, the second part is not half as entertaining or authentic and seems to be a little synthetic in places, which is a bit of a letdown. The other plus point about this movie is that finally it shows females bonding.The relationship that Naina shares with her two friends, Malini (Tilottama Shome) and Rukhsana (Jeneva Talwar) is lifelike and real and not filmy. However, Alankrita is unable to maintain this authentic touch through out the movie and matters get a little too clichéd in the second half. In a long time after 'Dor', Gul Panag finally gets a role which she can sink her teeth into and truly relish. This is one such role and the actress lives it perfectly. She does a very fine job of playing Naina with all her angst. Of the other actors, Purab Kohli is charming as ever and turns in a very decent performance. Sid Makker is quite good and so are Tillotama and Jeneva as Naina's two friends.The others who appear in bit roles, like Satyadeep Mishra, Ira Dubey, Sameer Malhotra and Anita Kanwar, all chip in with decent performances as well. 'Turning 30' with its sharp and lifelike dialogues and situations is truly like a breath of fresh air as it provides an alternate perspective to life and the angst of living. It provides a woman's perspective. And surely that counts for something in a country where half the population is female.
